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Every other Friday Artprice posts a theme-based auction ranking. This week’s ranking focuses on the 10 best auction results for living artists.
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[04/15/2011]
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A personal art collection often begins with some kind of ‘multiple’ work like a photograph or a print. These formats – which usually change hands at very affordable prices – represent a low-risk way of participating in the art market.
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[12/20/2010]
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Every fortnight Artprice provides you with a new or updated ranking in its Alternate-Friday Top Series. The theme of today's TOP article is the Top10 auction results generated by Post-war drawings.
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[10/01/2010]
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Every other Friday, Artprice publishes a ranking of auction records. This week, discover the highest prices recorded in May 2010.
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[06/11/2010]
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With a large number of major collectors clearly back in acquisitive mode, the results of the big sales in New York during May amply covered the price expectations and were a far cry from those posted in May 2009.
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[05/17/2010]
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For their Contemporary Art sales on 11 and 12 May 2010, Christie’s and Sotheby’s are betting on high prices for masterpieces signed Warhol, Klein and Rothko. But above all, the catalogues contain a number of major works that the crisis has withheld from the market.
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[05/03/2010]
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The 53rd Venice Biennial Art Fair opens to the public on 7 June 2009. For six months it presents a panorama of global contemporary art in pavilions representing the artists and countries invited. Launched in 1895, the Venice biennial has a long tradition of selecting a handful of artists to receive its prestigious prizes. Do the Golden Lions - awarded parsimoniously over the years - constitute an accelerator for the price indices of the artists that receive them?
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[06/08/2009]
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The general price index for American Pop Art – the epicentre of art market speculation since the beginning of the decade – is showing signs of waning. Although Andy Warhol is the third most expensive post-war artist, along with Francis Bacon and Mark Rothko, auction sales of his works since the start of 2008 have been less successful… Could this be a first sign of market saturation?
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[09/22/2008]
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The New York contemporary art market has posted strong growth over the last five years. Turnover at Sotheby’s and Christie’s evening auctions has climbed steadily to reach a total of USD 168 million in 2004 compared with USD 100 million in 1999.
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[05/25/2004]
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The contemporary art market has been doing fairly well of late, and the last big auctions of the year have reaffirmed the trend. The wealthiest US investors are continuing to support new art. Record after record has been falling in New York, and not only for American artists.
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[11/24/2003]
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Pop art blurred the lines between fine art and its commercial cousin — an astute business move, apparently, as prices at auction now spiral beyond the reach of many collectors.
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[08/13/2003]
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In a tense economic climate, contemporary art auctions in New York are proving stronger than modern art and impressionist art sales. The evening auctions may have been unexceptional. But Sotheby’s and Christie’s still managed some reassuring surprises, generally in the less prestigious later sessions, when prices for some artists showed real growth and some of them turned out to be impressive records.
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[11/25/2002]
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